
Becoming Blue
Aga Zaryan is the first Polish performer to sign up with the legendary recording label. Eight years after her debut, My lullaby, the jazz singer known for her unique interpretations of jazz classics decided to record her own, original album and achieved great success literally overnight! Looking Walking Being went gold on the first day.
Tomasz Handzlik (TK): You recorded your album at BlueNote, which used to be (or still is) ‘home’ to such legends as Miles Davis, Bobby McFerrin, Cassandra Wilson…
Aga Zaryan (AZ): When I learned that they had listened to my material and the record got the green light I was extremely happy. It was always a dream of mine to wind up under the wings of a large recording company so that my music could be heard not only in Poland but abroad. I had confidence in myself, believed I had created some quality material but was shocked nonetheless. Dreams do come true! The BlueNote logo will hopefully open a lot of doors for me.
TK: But BlueNote has changed a lot since it was set up back in 1939…
AZ: It used to be the biggest mainstream recording company in the world back then with Coltrane and Davis as its prime stars. It went through a crisis afterwards but nowadays it is prospering again, largely thanks to artists such as Norah Jones who is actually not a jazz vocalist. But having a BlueNote record is still a great source of pride
TK: Are you planning to take on America now?
AZ: It’s not impossible. Trying to achieve success on the US market interpreting classic hits would be rather difficult as there are a great number of great singers with that kind of repertoire. I, on the other hand, have my own, original material that I have created with the help of a few talented musicians. I see that as a huge advantage.
TK: Do you read poetry?
AZ: I do, lately it’s been Barańczak and Zagajewski but the point is that I enjoy singing about serious matters, that is why to me lyrics are just as important as harmony or melody. There are no empty notes in my music, there are strong words behind them.
TK: Your singing style is somewhat similar to that of Abbey Lincoln’s…
AZ: Music is supposed to tell stories. My voice is not just an instrument, I do not have to use it to its full strength in every piece. Sometimes you can convey more if you are simple and natural. That is the way Abbey Lincoln or Shirley Horn did it for whom I have much respect. I want to create music that is smart and cohesive but I also like to enhance it by mixing various styles – afro jazz, jazz-rock, bossa nova. Jazz is the music of freedom with an unlimited number of paths, so it is important that it comes from the heart. In addition, it should be an expression of the needs of your heart, not the needs of the producer of the record.
Gazeta Wyborcza
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